Noise Appeal Fest 2024

Mittwoch 24. April 2024
Monokay, Tracker, Flowers In Concrete, Dirty Talons

Donnerstag 25. April 2024
Drive Moya, Reflector, Lehnen, le_mol

Chelsea Wien, U-Bahnbögen 29-30, 1080 Wien
www.chelsea.co.at

Upcoming releases

tracker – On! On! On!
March 29th, 2024
Album – Vinyl, CD

Out now


Baits – All Filler No Killer

BAITS: All Fillers and No Killers?

Can an album title lie to you? Yes, it can. The four members of the Austrian band BAITS call their second studio album “All Filler No Killer”. Yet, what’s inside is exactly the opposite of what’s written on the outside. Is the album title a subversive critique of an aging rock star’s megalomania? It’s not exactly clear. But one thing is certain: the album contains no fillers, only killers. The quartet, centered around the magnetically charismatic frontwoman Sonja Maier, serves up 11 absolute hits on “All Filler No Killer”, oscillating between Nirvana, Weezer, Hole, Ramones, and Amyl and the Sniffers while still maintaining a unique, unmistakable identity. Punk is just the base camp. From there, the four-piece band climbs musical heights that couldn’t be more different. Whether it’s a danceable pop song, a captivating garage rock track, a harmony-rich punk anthem, or a hard-hitting number for the mosh pit – all these songs have one thing in common: they first burrow into your ear and then straight into your heart. But the brain isn’t neglected either.

It’s about power, gender, privileges, and injustices. The singer doesn’t make any prisoners, but she is always aware of one thing: the situation may be hopeless, but not always serious. “All Filler no Killer” is held together by drummer FAZO666FAZO, who also shines as an extremely competent producer. What remains is the impression that the band has evolved to a higher level. BAITS’ second effort sounds tighter, more rounded, and technically more sophisticated at every moment than its already impressive predecessor. In conclusion, “All Filler No Killer” proves that BAITS know exactly where they are headed, which is straight to the top.

Drive Moya – The Great End

Viennese trio Drive Moya make a compelling return with their second album, “The Great End”. Expanding on the unique sounds of their 2019 debut, the band takes their deep love of early 90s alternative genres as a foundation and injects it with a sharp contemporary twist. The resulting album is a rich blend of dreampop, grunge, post-rock, and shoegaze, building up a vivid tapestry of tones and moods, with each track presenting a distinct emotional journey.

The band’s songwriting takes centre stage here, with songs crafted into unique stories, from direct and unembellished indie-rock numbers to atmospherically dense post-rock events. “The Great End” balances the gentle with the energetic, creating suspenseful arcs and showcasing the band’s versatility in creating gripping musical landscapes, inviting listeners to lie back and enjoy the view.

Dirty Talons – s/T

Dirty Talons’ self-titled debut album compiles the first two recording sessions the band completed in 2021 and 2022. All basic instrumentals, as well as most lead vocals have been tracked live at Radiokulturhaus in Vienna, Austria in just a few days. While guitarists Marco and Zock, as well as bassist Bernie have released several records together during their time in ASTPAI in the past, this album marks the remarkable physical debut of vocalist Jess Howells.

Jess’ lyrics explore intra- and interpersonal struggles and connections from different perspectives and touch upon themes such as anxiety, love, insecurity, narcissism, anger, loneliness and regret.

All tracks have been mixed and mastered by the amazing Peter Miles, who has previously worked with bands such as Architects, We Are The Ocean, Petrol Girls, Crazy Arm and lots more over at Middle Farm Studios in Devon, UK.

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